Here at the hinge of old year and new, with books to promote and a new website underway, I’m wondering — again — about the relationship between writing and social media. It is what we need to communicate and self-present, to Get Ourselves Out There, no way to avoid it entirely. It does a lot […]
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The Victorian Chaise-Longue by Marghanita Laski (1953), published by Persephone Books (1999) “We think back through our mothers,” Virginia Woolf wrote, “if we are women.” Marghanita Laski’s terrifying novel The Victorian Chaise-Longue (1953) spins this proposition sideways. What if becoming a mother makes a woman a time-traveler against her will? What if mothering allows memory […]
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I couldn’t be happier that my essay “Gain Experience!: Literature, Travel, and Life” (echoing Mary Wollstonecraft’s famous advice) is forthcoming in Engaging the Age of Jane Austen, edited by Bridget Draxler and Danielle Spratt (University of Iowa Press, 2019). I’m so grateful to Bridget and Danielle for this opportunity. In the essay, I share particular […]
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I’m delighted to announce that my story “The Serpent,” which appeared in The Hopper Issue III, has been nominated by the journal’s editors for a Pushcart Prize. Many thanks to the wonderful folks at The Hopper and congratulations to my fellow nominees!
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A new posting at Luther’s “Ideas and Creations” blog on a writing technique that’s working well in a busy time: https://www.luther.edu/ideas-creations-blog/?story_id=837794
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When you’re a woman, you try to live in hope, and you try to teach others (especially younger women) the same. Because, after all, the world doesn’t accommodate itself to you and never has. You are the one who must make way, yield the floor, decline to give way to professionally discrediting anger, sit incredulously […]
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Two men in tunics and hose, their backs to me, lean on the wall of a castle balcony and look down at something happening on the other side. A slim tree leafs out elegantly to the left. They’re relaxed, intent, faces totally hidden. What’s going on down there, in this picture’s entirely private world? Framed […]
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